Times are different now. It has always been my understanding that tradesmen passed on their skills through apprenticeships. A master gunsmith would take on a young fellow, possibly even a child, to live and work on the premises. The apprentice would learn the skills over a period of years via one-on-one teaching by the master craftsman. Total immersion. Children acquire skills, like language, music, or computer skills, while adults generally have to learn them through a stepwise or rule-based system. The trainee moves through his apprenticeship to journeyman status to mastery over a period of years. The trade in which he apprentices, whether gunmaking, blacksmithing, silverwork, saddlery, or whatever, was intended to be his profession, vocation, and life’s work. In my opinion, this may be the “secret” to the skill and artistry you see in so many antique longrifles.
For many of us now, gunmaking is a hobby, and we don’t get really serious with it until well into adulthood. There is no question that some people learn faster than others, some simply have a natural aptitude, and some people are turning out magnificent work. We have books, videos, and week-long workshops in which today’s masters try to teach the skills to us common folk, but there is no way this can compare to the apprenticeships of centuries past. I would agree with Mike Brooks regarding the outstanding workmanship shown by the old masters, which is not to be confused with repairs and restock jobs done by part-time gunsmiths on the frontier.
I think Mr. Kibler is working on a way to offer ornamental incised carving as an option on some of his rifle kits. Some folks don’t like this, expressing concern that the rifles will be “cookie cutter” duplicates of each other. Personally, I think it’s a great idea. For the average hobbyist, precise machine-made carving would be infinitely preferable to hand carving done poorly, and I do believe many of these rifles really need some carving. It seems only logical that the masters of long ago would have used basic patterns or templates for their carvings. The uniformity of design is how we recognize the different “schools” of longrifles, and even the work of individual smiths. Minor variations in the ornamental carvings, as well as the figure in the wood and the type of wood and metal finish, give the rifles their individuality. The same might be said about the rifles assembled from Jim Kibler’s kits.
This is an interesting discussion.
Notchy Bob