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I originally thought to put this in the General Reenacting Forum as it is not a common problem for shooting. Yet, some may find this information useful for hunting with smoothbores, so I wound up putting it here.
In the late 90’s when I joined the Majors Coy of the 42nd RHR, the Black Watch ”“ some members reported losing much or sometimes all the priming powder from their pans during “cast about” in the loading process. This is a problem I never ran across when I was shooting my Brown Bess Carbine in competition in the 70’s. However, “Shooters” load their barrels first and prime their pans afterward.
Re-enactors prime their pans first, shut the pan and then “smartly cast about” or turn the muzzle up and the musket around and then quickly set the butt of the stock on the ground to the left of their left foot ”“ to load the powder from the cartridge. During this “smart movement” of the musket, priming powder was being thrown out of their pans. When it was first described to me, I remarked, “How well does the bottom of the frizzen seal the top of the pan?” Even though our group had been in ARW re-enacting for about 15 years, many members did not know about this.
During a break, I asked the Musket’s Owner to take the flint out of the jaws and remove the lock from the stock. (I have found it a good idea to remove the flint when inspecting/working on locks so one doesn’t slice one’s hand with the flint. Yep, that is experience talking, unfortunately. :redface I half- cocked the cock, shut the pan and held the outside of the lock up to the light so I could see the gap of light between the bottom of the frizzen and the top pan. The bottom of the frizzen was only touching in a small high spot on top of the pan and there was so much gap between the frizzen and pan, it was easy to see why the priming powder was being thrown out during the “Cast About.” (This was a Jap Bess, BTW.) So that musket went home with me after the event.
I remembered reading that British Gunmsiths were extremely picky about the fit of the fizzen to the pan on civilian flintlocks, especially in the later decades of the common use of the Flintlock. The fit was described as not being able to see ANY light between these parts, so as to make the lock as waterproof as possible. That requires the bottom of the frizzen and the top of the pan to be “dead flat” and lay flush against each other. (I later learned the fit does not have to be quite that tight, though.) Much easier said than done, as I was about to learn.
The bottom of the frizzen was FAR from being flat and I soon realized I would have to cut/file through a lot of surface hardenened metal to get it flat, at least 1/64” and maybe as much as 1/32”. There was also some vertical grooving on the face of the frizzen, so hardening and annealing the frizzen after these adjustments would become necessary. I annealed the bottom of the frizzen, filed it dead flat then polished it with ever finer grits of garnet paper wrapped around the file. After carefully grinding out the horizontal grooves, I rehardened and annealed the frizzen. Not surprisingly, the bottom of the frizzen was not dead flat after that, but some more work with garnet paper wrapped around a file and a large stone, finished flattening the bottom without taking too much hardened surface away. Note: I figure it is best to have the bottom of the frizzen hardened to better resist the effects of burning priming powder in the pan.
The now flat bottomed frizzen closer to the top of the pan, but not close enough when I mounted the frizzen to the lockplate with just the frizzen screw and no frizzen spring. 18th century Gunsmiths/Artificers would have used candle black on the top of the pan to show where the high spots were, but I used Dykem layout dye and tapped the frizzen down on the pan with a soft mallet between filings on the top of the pan. I did do the final checks and fitting with candle black, though, as that is not as thick as Dykem and shows the fit better. One thing to expect doing this job is fitting will not just have to be done front to back, but also side to side on the pan. It is also more difficult than just filing both surfaces flat as the bottom of the frizzen comes down in an arc onto the top of the pan.
Even though I have loads of experience filing the sides and backs of large steel lugs on NM M14’s dead flat so one can’t see light between them and a surface ground block, this procedure took a lot more time than I thought it would. It got faster as I wound up doing it to my own Musket and about 9 other muskets in our unit, though.
The good news is after this “re-fit” of the bottom of the frizzen to the top of the pan, we never again had problems with priming powder being “slung away” during “cast about” in the loading procedure.
Gus
In the late 90’s when I joined the Majors Coy of the 42nd RHR, the Black Watch ”“ some members reported losing much or sometimes all the priming powder from their pans during “cast about” in the loading process. This is a problem I never ran across when I was shooting my Brown Bess Carbine in competition in the 70’s. However, “Shooters” load their barrels first and prime their pans afterward.
Re-enactors prime their pans first, shut the pan and then “smartly cast about” or turn the muzzle up and the musket around and then quickly set the butt of the stock on the ground to the left of their left foot ”“ to load the powder from the cartridge. During this “smart movement” of the musket, priming powder was being thrown out of their pans. When it was first described to me, I remarked, “How well does the bottom of the frizzen seal the top of the pan?” Even though our group had been in ARW re-enacting for about 15 years, many members did not know about this.
During a break, I asked the Musket’s Owner to take the flint out of the jaws and remove the lock from the stock. (I have found it a good idea to remove the flint when inspecting/working on locks so one doesn’t slice one’s hand with the flint. Yep, that is experience talking, unfortunately. :redface I half- cocked the cock, shut the pan and held the outside of the lock up to the light so I could see the gap of light between the bottom of the frizzen and the top pan. The bottom of the frizzen was only touching in a small high spot on top of the pan and there was so much gap between the frizzen and pan, it was easy to see why the priming powder was being thrown out during the “Cast About.” (This was a Jap Bess, BTW.) So that musket went home with me after the event.
I remembered reading that British Gunmsiths were extremely picky about the fit of the fizzen to the pan on civilian flintlocks, especially in the later decades of the common use of the Flintlock. The fit was described as not being able to see ANY light between these parts, so as to make the lock as waterproof as possible. That requires the bottom of the frizzen and the top of the pan to be “dead flat” and lay flush against each other. (I later learned the fit does not have to be quite that tight, though.) Much easier said than done, as I was about to learn.
The bottom of the frizzen was FAR from being flat and I soon realized I would have to cut/file through a lot of surface hardenened metal to get it flat, at least 1/64” and maybe as much as 1/32”. There was also some vertical grooving on the face of the frizzen, so hardening and annealing the frizzen after these adjustments would become necessary. I annealed the bottom of the frizzen, filed it dead flat then polished it with ever finer grits of garnet paper wrapped around the file. After carefully grinding out the horizontal grooves, I rehardened and annealed the frizzen. Not surprisingly, the bottom of the frizzen was not dead flat after that, but some more work with garnet paper wrapped around a file and a large stone, finished flattening the bottom without taking too much hardened surface away. Note: I figure it is best to have the bottom of the frizzen hardened to better resist the effects of burning priming powder in the pan.
The now flat bottomed frizzen closer to the top of the pan, but not close enough when I mounted the frizzen to the lockplate with just the frizzen screw and no frizzen spring. 18th century Gunsmiths/Artificers would have used candle black on the top of the pan to show where the high spots were, but I used Dykem layout dye and tapped the frizzen down on the pan with a soft mallet between filings on the top of the pan. I did do the final checks and fitting with candle black, though, as that is not as thick as Dykem and shows the fit better. One thing to expect doing this job is fitting will not just have to be done front to back, but also side to side on the pan. It is also more difficult than just filing both surfaces flat as the bottom of the frizzen comes down in an arc onto the top of the pan.
Even though I have loads of experience filing the sides and backs of large steel lugs on NM M14’s dead flat so one can’t see light between them and a surface ground block, this procedure took a lot more time than I thought it would. It got faster as I wound up doing it to my own Musket and about 9 other muskets in our unit, though.
The good news is after this “re-fit” of the bottom of the frizzen to the top of the pan, we never again had problems with priming powder being “slung away” during “cast about” in the loading procedure.
Gus