No hook breech, just builder's choice, I guess. I've never had the barrel off.@Spence10
I see she sports barrel keys instead of pins, does she have a hooked breach?
Spence
No hook breech, just builder's choice, I guess. I've never had the barrel off.@Spence10
I see she sports barrel keys instead of pins, does she have a hooked breach?
Well said, and I agree about the contemporary masters. I have gathered a little background on the rifle. I met Louis Smith very early in my involvement with black powder shooting, at Friendship, in the booth of Bill Goldsmith. I owned the rifle then, but didn't understand what it represented, so I didn't discuss it with him. A few years ago I made contact with a builder from Johnson City, Tn, Donald Davison, who knew Louis Smith. He said Smith frequently worked with two other men, Buck Fleenor, who specialized in inlays, and Lester Smith, no relation, who was a master engraver. He said he had no doubt the rifle was built by Louis Smith, inlayed by Buck Fleenor and engraved by Lester Smith. All three men have left us, now.Mr Smith was a talented engraver who had a unusual style using border engraving for outlining most of his figures and some of the figures were entirely border style. The architecture of the rifle is perfect. The execution is master quality. Bill Large would cut you any type of barrel that you desired and this one being 11/16 inch is really skinny. I had him cut quite a few barrels for me years ago, always excellent quality. This rifle is an example of what I consider a contemporary masters art which shows the builders talent. I far prefer to see this type of work rather than "bench copy" of some long past masters work. BTW, did you notice how the toeplate was mortised into the buttplate?
I've owned the rifle for 44 years, and I bought it second-hand, so it could be 50 years old. The patina is probably just due to its age. I do remember, though, being curious about the color of the brass right from the time I bought it, especially the patchbox. I suppose it's possible the type of brass used was a different alloy, more copper?How does one get that wonderful patina on the brass to match the stain?
Yeah, the gun absolutely looks its best in the warm, yellow early morning light filtered through the leaves of a hickory tree.I glad you take it out and use it. A rifle that beautiful needs to be used.
Agree, I live in New Hampshire and nothing beats a fall walk through a hard wood forest.Yeah, the gun absolutely looks its best in the warm, yellow early morning light filtered through the leaves of a hickory tree.
Spence
Yes, I understand that there were several men in the Johnson City area making rifles which were popular. Sort of like the Woodbury School of Herschel House et al, well made, highly functional, but not highly thought of by those more interested in replicas of the old guns, not modern interpretations.Absolutely gorgeous rifle, I've never seen one with an 11/16" barrel. I've read about the rifles built in that area of Tennessee and apparently they were unique enough style that it was referred to as the "Johnson City School of Gunsmithing". They were generally very decorated and had a lot of inlays and engraving. That must be a joy to shoot and a joy to look at on your wall when you're not shooting it.
It could be. Or maybe there is no "backerds" to this one. You pays your nickel and takes your chance.Yep, I do believe the front sight is on "backerds".
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