Ironoxide,
When using wood as a patch, it is more important to get the grain AND the flow of the grain and or figure to match than it is the color to match. You can always stain a lighter piece of wood to match that otherwise matches in other respects.
When using Accraglas and a wood patch, you may be able to get away without using extra pins that show through on the surface of the wood. You do this by using what I call an internal Dutchman Butterfly patch of Accraglas inside the repaired area. I hit on this idea years ago when I had to replace a rather thin piece of missing wood on an M1 Garand front handguard.
In case you don't know what a Butterfly patch looks like, it sort of looks like an Hourglass shape. Here is a link showing one kind of such a patch in the second photo, though those are done on the outside, rather than inside the wood.
https://woodworking.stackexchange.c...etween-a-dutchman-patch-and-a-butterfly-patch
You have to or carve out the inversed "sort of triangles" on both the stock and the patch so when Accraglas is used to fill up the spaces you carved out, it forms the internal butterfly patch, when the Accraglas cures. Besides the adhesion of the Accraglass, it thus makes an additional mechanical joint to keep the wood patch from coming out. On thin wood patches, you just don't make the carved out areas too deep and ensure there is room above the outer areas to file/sand on the patch, so the Accraglas doesn't show through. I have successfully used this technique all over gun stocks and the patches don't come loose.
Another tip to match a wood patch is to use artificial graining on the wood patch. I picked up this tip when I visited Andrew Jackson's home back in the 1980's. Jackson hired a French Artist to artificially grain all sorts of wood all over the Hermitage. Though they most often did it with Iron Gall Ink, I just use a Very Fine Point, Black Permanent Magic Marker. That way I can "add" figure to the wood patch, if needed. I also add some additional figure or lines from the wood around the patch and continue those lines into the patch, thereby helping to hide the edges of the patch.
If you think you need to be a true artist to use such artificial graining, I can assure you that you don't. I can barely draw good stick figures and with very little practice, I was able to do the technique so most folks don't realize I did it, after I stained and oiled the wood. On a couple of patches, I've even drawn in the rest of tiny knots on the patch that were at the edge of the wood around the patch. OH, if you make a mistake, a little acetone on a Q Tip will get rid of most of the Permanent Magic Marker Ink.
Gus