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There is and old saying, "Everything Changes"
I don't like the term, used in this context either. That is why I put it as parenthetical.I don’t use the term transitional.
Which gun is this. I'm getting lost in some of this.The funky 'baroque' piece from RCA is really a mystery.
My response regarding Fainot's carving was directed towards the images posted by Brockennock.
So there is some uncertain attribution of the rifle I posted from previous topic discussion to Fainot?The gun you refer to as the Antes gun is a an uncertain attribution
So there is some uncertain attribution of the rifle I posted from previous topic discussion to Fainot?
Thanks.EK was referring to your images as "the funky baroque piece".
I commented that the carving resembled something that Fainot would have done, but not intentionally suggesting that he had anything to do with it.
RCA 17, the big smooth rifle with the added strip of wood on the underside of the buttstock, often attributed to William Antes, is not signed. Some hints suggest he made it, but it does not relate well to his signed rifles thought to be from the 1770s and 1780s.So there is some uncertain attribution of the rifle I posted from previous topic discussion to Fainot?
Here are my photos of the so called Natty Bumpo rifle. It’s overall dimensions are similar to the Tulip rifle but the architecture is very different. This was also in a Shumway Muzzle Blasts article. It’s a handy gun. Sorry for double posting of photos working from my phone given I have the MB articles I took no full length photos I was looking for detailsRich,
Do you have pictures that you can post of the "Natty Bumpo" gun? The TG on it seems similar to that on the Tulip Rifle.
Here are my photos of the so called Natty Bumpo rifle. It’s overall dimensions are similar to the Tulip rifle but the architecture is very different. This was also in a Shumway Muzzle Blasts article. It’s a handy gun. Sorry for double posting of photos working from my phone given I have the MB articles I took no full length photos I was looking for details View attachment 88428View attachment 88428View attachment 88429View attachment 88430View attachment 88431View attachment 88432View attachment 88433View attachment 88434View attachment 88435I am not sure what wood it is stocked in. Shumway called it maple but I think a fruitwood is possible. I have no idea what’s going on with the opposite lock panel where a sideplate should be. There’s some odd interrupted carving there.
I just don't understand this.I have pictures of three other very early rifles I’m not allowed to share.
Some of the owners choose to remain anonymous. Many guns pictured in books have been photographed in confidence, and reference is often made to "private collection". Collectors usually don't mind having other collectors with similar interest knowing what they have, but don't want it broadcast so as to make them a target of theft.I just don't understand this.
Not your not showing the pictures Rich, that I understand, you are following the owner's wishes.
I don't understand the owner's who don't want even pictures of these artifacts shown. Not wanting people handling them? I get it. Not wanting people coming to one's home to see them? I get it. But to have it be known these original rifle artifacts exist but say pictures can't be shared? I just don't understand this mentality.
That I get. But to say, "yes, you can take pictures of this gun for yourself,,, but don't show them to anyone," I don't understand.Some of the owners choose to remain anonymous. Many guns pictured in books have been photographed in confidence, and reference is often made to "private collection". Collectors usually don't mind having other collectors with similar interest knowing what they have, but don't want it broadcast so as to make them a target of theft.
That I get. But to say, "yes, you can take pictures of this gun for yourself,,, but don't show them to anyone," I don't understand.
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