Hello, I hope everyone is doing well.
I’m posting here a short video about my Parker-Hale Whitworth being bedded in the traditional manner of paper and shellac. The gentleman that did the job knows what he is about and has bedded the rifles of many Australian match winners. His name is Kelvin Moss from the vicinity of Orange, NSW. With his permission I’m posting the video for everyone’s enjoyment and information.
He began his work by removing the very fine ridgeline from the stock making process down the barrel channel. I had read the excellent article by Mr Curtis as hosted on Research Press website, and sure enough, my stock showed wear marks from the barrel bearing down on it. Once this barely visible ridge was scraped away, he began layering brown paper (lunch-wrap) and painted shellac on each leaf; then lay the barrel in the channel and look for shellac on the barrel. This continued until the barrel showed shellac all along it’s radius, which indicates enough paper layers are in place (I forgot to mention this was at the breech end of the barrel channel). For my particular rifle it was 8 layers of paper.
This process was repeated at each barrel band along the stock, with fewer layers of paper required at each barrel band (when wet shellac was showed all over the radius of the barrel it was sufficient). Interestingly, no papers were placed under the tang channel. Whether this was particular to my own rifle or common to all I cannot say, nor did I think to ask.
Next my lock plate was modified so the curve under the bolster/nipple snail was clear to the dimensio of a playing card. (No playing cards being handy, the brown paper used to bed the barrel was folded to 4 layers). That’s the last photo in the video.
Regards to all
I’m posting here a short video about my Parker-Hale Whitworth being bedded in the traditional manner of paper and shellac. The gentleman that did the job knows what he is about and has bedded the rifles of many Australian match winners. His name is Kelvin Moss from the vicinity of Orange, NSW. With his permission I’m posting the video for everyone’s enjoyment and information.
He began his work by removing the very fine ridgeline from the stock making process down the barrel channel. I had read the excellent article by Mr Curtis as hosted on Research Press website, and sure enough, my stock showed wear marks from the barrel bearing down on it. Once this barely visible ridge was scraped away, he began layering brown paper (lunch-wrap) and painted shellac on each leaf; then lay the barrel in the channel and look for shellac on the barrel. This continued until the barrel showed shellac all along it’s radius, which indicates enough paper layers are in place (I forgot to mention this was at the breech end of the barrel channel). For my particular rifle it was 8 layers of paper.
This process was repeated at each barrel band along the stock, with fewer layers of paper required at each barrel band (when wet shellac was showed all over the radius of the barrel it was sufficient). Interestingly, no papers were placed under the tang channel. Whether this was particular to my own rifle or common to all I cannot say, nor did I think to ask.
Next my lock plate was modified so the curve under the bolster/nipple snail was clear to the dimensio of a playing card. (No playing cards being handy, the brown paper used to bed the barrel was folded to 4 layers). That’s the last photo in the video.
Regards to all
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