20 years ago, now, my best friend was one of the finest Competitive Trap Shooters in the area. He had a "running " Bet with another Trap shooter, both 27 yd. Handicap ATA members, involving who could best whom at a practice shoot of 25 targets. My friend won virtually every time. I think I saw him lose to Tom only once in 2 years. Tom almost always lost the bet shooting the last station. He beat himself, even if he was even, or ahead of Bruce going to the last station and those 5 targets.
Instead of concentrating on breaking the next target, and nothing else, Tom was watching what Bruce did. If Bruce broke those first 4 targets off that last station, Tom would drop one.
Bruce "Trained me" to shoot trap competitively by taking me to the Doubles field, where two clays are thrown for each shooter on each call, so you shoot 10 targets at each of the 5 stations, instead of 5. This forces the shooter to get rid of one of the worst BAD habits- lifting your head off the stock after that first shot, or dropping the stock off your shoulder after that first shot- or both! :shocked2: ----- so that you really learn to "follow through" after the shot when shooting " Singles" in normal Trap shooting. It also requires a greater degree of FOCUS on the sight and moving targets to hit both targets. Your rhythm also has to be even and smooth.
To achieve those things, CONCENTRATION requires you to be thinking about enough things, that you can exclude BOTH VISUAL and AUDITORY distractions from you mind, during that critical moment when your fire your shot. IF you don't do this level of Focusing, then you have your work cut out for you.
I call it STAGE LEGS, as I was raised in a musical family and was forced to perform when I was very young, in front of audiences. It was a lot more scary then, than now, and STAGE FRIGHT is as much a problem 50+ years later as it was back when I first stood on shaky legs before an audience.
As has been noted by your posts, and others, people use different ways to focus well enough to not be bothered by other shooters, or other distractions at ranges- be they crowds, audiences, trucks, great looking babes, etc. Because of my music background, I have always mentally "Hummed" the melody of a particularly difficult symphony, to force my brain to focus on that SHOT, and nothing else. I chose a piece from Gustav Holtz's Suite, " The planets". The particular piece is " Mars", a raucous piece that alternated bars in 3/4 and 5/4 time. Since so much of shooting- be it shotguns at moving targets, or rifles and handguns at stationary targets where you have to time your shot to shoot between heartbeats, and when your front sight appears to drift back onto the target again--- Finding something that allows you to incorporate Rhythm to assist your timing( Most misses come from hurrying a shot, or holding your breath too long)of your shot, music works for me. I don't purposely try to distract other shooters.
But, I do shoot left handed, and that seems to bother some Right Hand competitors. And, I shoot a standard field grade Rem. 870, rather than a Trap Gun, and that also seems to bother some competitors. I also leave a sling stud in the butt stock, and more than once I have noticed top shooters "Sniff" at seeing that sling stud on my gun in the gun rack between matches. :grin: For black Powder, I shoot a rough CVA 12 ga. percussion side by side shotgun, and That seems to bother the competitors who shoot much more expensive shotguns. :grin:
That's their problem. As I have noted, people seem to find Distractions, as alibis for why they don't perform well. But, basically, they beat themselves. You really don't have to do anything to aid them.
Bruce thought Tom's problem was just the idea of putting a dollar bill on the outcome of a shooting match score. Tom could do fine in practice, but if you put any Pressure on him, he could not take it. On many occasions, I saw Tom outscore Bruce in practice matches, only to lose to him when they bet on the next match.
Most new shooters think that shooting well is 99% physical and 1% mental. Older, more experienced shooters will tell you that the physical aspect of shooting is only about 5%, and the rest, 95%, is mental.
Bruce convinced me of that truth after watching me shoot Trap with for a year. He told me that I had seen and shot about every angle of bird thrown from every station on the field, and had broken the clays. So, I could physically hit anything thrown up for me. The only reason I missed was due to mental errors. He told me "forget" about the last target, and all the targets left in the round. Focus solely on breaking the next target, doing everything you know you have to do to accomplish that.
Shooting Doubles Trap taught me that focus and rhythm. Most good trap shooters will miss a first target( short range, on a predictable path) by moving the gun before the shot is fired, worried more about getting to the second target quickly, instead of taking their time and breaking the first target, FIRST, and the second target SECOND. Bruce had been trained by a man who had won the All-American Trap shoot 5 times, who told him, " First you shoot the first target, and THEN you shoot the second target!"
Its not much of a " switch" to use the same kind of mental discipline when shooting rifles and handguns.
The focus before, during your shot, and follow thru should only last as long as needed to fire a good shot- no longer. You can wear yourself out both mentally and physically by trying to focus intently- both tunnel vision and auditory exclusion--- for too long a time. This aspect of mental training is only accomplished, and MASTERED, over time, and a lot of correct practice.
My second wife noticed how Smooth Bruce and I moved when loading and catching our empty shells on the trap line, compared to the fumbling she did when she was first joining us to learn to shoot. She asked me how long it would take for her to become smooth, like us. I told her it would take at least a year of practice to begin to move smoothly, and it would take a few more years after that to be as smooth as we were- simply because we had been shooting so much longer than she had. I told her it was more important that she think of each step she needed to do when loading, mounting the gun to her shoulder, pointing the gun at that trap house, her foot placement at each station, calling the target, following the target, leading the target, slapping the trigger, and holding her face to the stock through the shot and recoil until the muzzle came back down to where she was still in line with the moving target, if she missed her shot. The "Smooth" part would come along in time on its own.
It did. :grin: She was very proud of her progress when she noticed. :thumbsup: