I agree. Also I don't see much difference between building a 'kit' gun for a particular style, school or maker, say a York or a Lancaster from Chambers, and ordering your own semi-finished stock and selection of parts to make such a gun. Broadly speaking you're going to start work with much the same spread of parts in front of you. When I look at a finished gun, I look at how it's put together, the finish, the architecture and the decoration, before I bother thinking whether the ramrod pipe is style x or y. I could look at 100 'identical' kit guns, say a Chambers York, and to me they might all look as different as if they'd been assembled from different parts, unless they were all made by the same maker. A related point must be that original gunmakers might have had a preference for a particular style of parts, or favoured particular suppliers, and over the years may have churned out many similar guns that might look like similar 'kits.'
Even if you're building from a blank, chances are you'll be aiming to creating something very similar to the existing high-quality semi-finished stocks, so creating from a blank today might be a more authentic process, but doesn't necessarily produce a finished object that looks more 'authentic'. Again, it's worth bearing in mind that a successful, well-known gunmaker of the type we usually try to emulate might have had assistants who prepared the stock to a semi-finished state for him, and made sure all the components were ready, so in a sense he was starting from the point where many of us begin with a 'kit.'
Even a stock that's quite close to finished as in my Chambers kit allows for a considerable degree of variation in the final shaping, enough to make it quite distinctive.
These thoughts obviously don't apply so strongly if you're trying to emulate something unique or rare, where it's vital to begin from 'scratch.'
I'm looking forward to trying to build a stock from a blank, but I'm happy to be supplied with all the other components from the huge range now available, much as a gunmaker would in the 18th century (in fact, ordering from suppliers like TOW, I feel like an 18th c American gunsmith ordering from suppliers of locks and other metalwork from Birmingham in England.)
Even if you're building from a blank, chances are you'll be aiming to creating something very similar to the existing high-quality semi-finished stocks, so creating from a blank today might be a more authentic process, but doesn't necessarily produce a finished object that looks more 'authentic'. Again, it's worth bearing in mind that a successful, well-known gunmaker of the type we usually try to emulate might have had assistants who prepared the stock to a semi-finished state for him, and made sure all the components were ready, so in a sense he was starting from the point where many of us begin with a 'kit.'
Even a stock that's quite close to finished as in my Chambers kit allows for a considerable degree of variation in the final shaping, enough to make it quite distinctive.
These thoughts obviously don't apply so strongly if you're trying to emulate something unique or rare, where it's vital to begin from 'scratch.'
I'm looking forward to trying to build a stock from a blank, but I'm happy to be supplied with all the other components from the huge range now available, much as a gunmaker would in the 18th century (in fact, ordering from suppliers like TOW, I feel like an 18th c American gunsmith ordering from suppliers of locks and other metalwork from Birmingham in England.)