I hesitate to post because right now it’s in the awkward ugly stage and trufully I have made some mistakes.
Challenging architecture!!!
Even if it’s not as executed as well as I wish so far, it will be an interesting rifle.
Ok, lots of things going on here.
The worm track that runs right down the center of cheek. It kind of interrupts the visual “flow” if you know what I mean. I have to ignore it.
The longish, almost snake like wrist...
The stepped toe...
The 17th Century-ish features....
The stepped cheek, 3 steps at the butt...
The looooooong cheek piece cut......
A moulding line/cheek cut the runs from just above the toe at the buttplate all the way to below the side panel. I may or may not go that far with it. This is not the buttstock moulding line, this line is all part of the cheek. This runs above the buttstock moulding.
OK
I made a mistake where the comb meets the wrist.
I cut this in too sharp. Maybe I can work some of this out as it’s still too fat.
A lot of things come together here and I still have not “ figured it all out”.
It’s almost like connect the dots.....
Let’s say A and C are “knowns”.
If A and C are executed well, hopefully B will appear.
Now if B is weak, hopefully a strong A and C will minimalize the weakness of B.
^^^^
This sounds good, hopefully there is some truth here.
OK.....
I showed what I have going on to a master builder.
“ Ahhhh, it’s like the Brass Barreled Rifle”.
^^^^
Well that’s something, it was recognized.
He also said this......
“ The Brass Barreled Rifle is not as big as it looks. It looks massive in photographs, very robust. It’s not a small gun by any means but it’s much different in person.”
When building from photographs the mind’s eye sees features larger than they are. Also somewhere between the brain and the hands, there is an additional enlargement or over emphasis of these features.
I believe this is why lock panels are way to large (even on good contemporary work) and carving features can be too high, too big and out of whack.....
It’s natural to overdo features when working from photos.
This is why seeing these old guns in person is so important.
Most of us can’t do this, so be aware.
The buttplate is not quite as crooked as it looks in the lower photo. It may be off a little but not that bad. It’s not near as crooked as The Real Woodsrunner.
Up next for this one....
Lots of wood still has to come off, humps and bumps smoothed.
I may finish the lock and side panels, thin the forestock, set the guard and trigger.
The guard has to go where the guard has to go....this is a known.
More to come.....
It’s still too fat.