It's always intrigued me that so much MBBW gets handed around about Jim Bowie's knife, especially since the mid-20th century when the book "The Iron Mistress" and the rather fictional TV series made the rounds. In actual fact, we've known what the knife looked like since 1899 when Noah Smithwick wrote, or rather dictated, his book "Recollections of Old Texas Days" (later retitled: The Evolution of a State). Smithwick was a blacksmith by trade and knew Bowie in Texas from 1828. After an account of the Sandbar Fight as given him by Bowie, Smithwick continues,"the blood christened weapon which had saved it's owner's life twice within a few seconds, was an ordinary affair with a plain wooded handle, but when Bowie recovered from his wound he had the precious blade polished and set into an ivory handle mounted with silver; the scabbard also being silver mounted. Not wishing to degrade it by ordinary use, he brought the knife to me at San Felipe to have a duplicate made. The blade was about ten inches long and two broad at the widest point. When it became known that I was making a genuine Bowie knife, there was a great demand for them, so I cut a pattern and started a factory, my jobs bringing all the way from $5.00 to $20.00, according to finish."
This was a pretty fair price considering how scarce cash was in Texas at that period. And Smithwick's 'factory' appears to be two helpers at his smithy. Fast forward 120 years.
My good friend Charlie Eckhardt had the good fortune to see and handle one of these Smithwick knives in the 1950's. He also had the presence of mind to measure and record the knife's exact dimensions. In a chapter entitled "Jim Bowie's Elusive Knife" from his entertaining book "Texas Tales Your Teacher Never Told You", Charlie noted the following:
"In the 1950's one of them-possibly the Smithwick/Juan Seguin Bowie- was in the possession of a collector named John R. Norris, who lived on Castle Hill Drive in Austin. In 1953, in a one-room house made of heavy logs in which Mr. Norris housed his collection...I was permitted to examine and measure the knife.
"The Smithwick Bowie in Mr. Norris' possession had a blade ten and one-half inches long, two inches wide and a quarter inch thick.The clip or "gut-tickler" was three inches long and perfectly straight, not dished. The point was at the center of the blade. It had neither fuller nor ricasso. Knife folks know that a fuller is the so-called "blood groove" in the blade, which has all sorts of fanciful explanations for existing. In fact, it helps stiffen the blade, in exactly the same manner that a T-shaped bar of iron is stiffer than a flat bar. The ricasso is that little piece between the hilt and the blade that isn't sharpened and usually has the knife-maker's trademark on it.
"It had a perfectly straight iron crossguard, a full tang and a grip made of two pieces of light colored wood-possibly bois d' arc (Osage Orange or "Hossapple")-which was fastened with two large rivets. The blade was marked near the guard with a large spread eagle and N.SMITHWICK in capital letters in a semicircle over the eagle. The dimensions of the Smithwick Bowie are identical to the dimensions Wellman gave for the knife in "The Iron Mistress", which leads me to believe that he probably saw and measured a Smithwick Bowie in the research for the book."
I've known Charlie over 35 years now and this version to the oral versions I've heard him state several times in that period. There are very few Smithwick marked knives in private collections now, and our chances of finding another are rare. If my scanner weren't on the 'fritz', I'd upload the illustration from the book. Your local library can probably get a copy for anyone to view. I just wish some enterprising knifemaker would copy the pattern exactly and put an end to all the speculation about what and how.